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Christmas Ads 2020: Controversy overtakes festivity (of course)

The debate around representation means food & shopping barely register as topics

 

Supermarket Christmas ads have become an entrenched part of the UK festive experience, with marketers working all year round on the anthropomorphised animal that will open hearts and wallets.

This year, however, was always going to be different. And that’s been reflected not only in the creative decisions taken by brands โ€“ more grounded, less cutsey โ€“ but also in the wider public reaction, which has barely touched on either food or shopping, and instead centred around different attitudes to representation on screens.ย 

Sainsbury’s commissioned the ad agency Wieden & Kennedy London to produce a trio of ads that featured snatches of phone conversations, reminiscing about previous Christmases over apparent archive footage.

That the first of these adverts featured a black family triggered a rush of conversation that appeared out of all proportion to the piece’s homely tone, titled ‘The Gravy Song’. Criticisms of ‘wokeness’ were reported across national newspapers, which were then themselves subsumed in a wave of support for Sainsbury’s across social media.ย 

This saw the brand account for almost twice as many mentions as its competitors combined.ย 

 

For all that race has emerged as the preeminent topic, however, this is not indicative of a debate evenly contested across online platforms.

Yes, individual posts criticising Sainsbury’s have attracted high levels of engagement:

But all of the online communities leading the conversation around the supermarket identify as being either BLM or liberal.

Critical posts are not only far fewer in number, but also less likely to occur within, and be magnified by, coherent online groupings. With less antagonistic material to address or quote tweet, users tend to make more general reference to ‘racists’ or ‘people’

Additionally, the communities conducting this conversation are more than just politically aligned โ€” there is also significant demographic overlap, with participants skewing younger and overwhelmingly female.ย 

But what happened to John Lewis, established in recent years as the gold standard?

With millions of consumers impacted by the pandemic and its economic implications, John Lewis and Waitrose exchanged the miniature mythologies previously created around dragons, monsters or old men on the moon โ€“ celebrating instead the universality of love.

But a share of voice of only 4.5%, and in the week following on from a much-trumpeted release, suggests an unfulfilled public hunger for escapism.ย 

Tesco, meanwhile, had reason to feel ambivalence about coming in second.

And that’s because the response that greeted the statement of black model Vanessa Vanderpuye, who claimed to have been cut from the brand’s advert, provoked a flood of universally negative posts.ย 

This outlines the enormous influence of the Sainsbury’s advert, which has not only dominated conversation but also preconditioned the response to other industry efforts.

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